Guest Posts

Line Array Systems: How They Work and What to Look For

Author:

Ada

Oct. 21, 2024
  • 17
  • 0

Line Array Systems: How They Work and What to Look For

Let&#;s start the new year off with a question about line array speakers. This month&#;s question comes from Ben in Nashville, TN he asks, &#;I have been asked by my leadership to put together some new sound system quotes. We would like to switch over to a line array system, can you give me some guidance in what I should be looking for?&#;

With competitive price and timely delivery, VISSONIC sincerely hope to be your supplier and partner.

Every house of worship facility needs a clear, functional PA system. Whether you&#;re a small congregation handling sermons or discourses, or a mega-church with full multi-sensory experiences, sound quality and intelligibility are key to inspiring and motivating the audience. However, as music styles, parishioner expectations, and line array technology all continue evolving, so do the needs and requirements of house of worship PA systems.

For many years, houses of worship used traditional &#;point source&#; loudspeakers almost exclusively. These types of systems provide excellent, functional sound, and they&#;re affordable and easy to mount without affecting line-of-sight in your sanctuary. However, thanks to advances in technology and more affordable and compact options, line array systems are an increasingly popular choice for sound reinforcement in houses of worship. Line array PA systems vertically stack multiple speaker cabinets rather than using a single point source speaker, providing very wide horizontal dispersion.

Today, there are line array speaker systems available for houses of worship of a wide range of sizes, from smaller sanctuaries to large 10,000+ seat worship centers. However, the number of options available can make it hard to find the best choice for your house of worship if you&#;re new to line array speaker systems. Let&#;s take a look at line array systems and the benefits they can bring to houses of worship.

What are line array speakers?

Technically speaking, a single line array cabinet is just a box speaker. However, a line array cabinet is not designed to work on its own. Point source speakers have a defined horizontal and vertical coverage pattern, and have been built to cover a particular (typically rectangular) shape. Line array speakers, on the other hand, are designed to be put together in a vertical stack and have a narrow vertical coverage angle and a wider horizontal angle.

Pictured: RCF HDL 10-A Active Line Array Module

For example, the RCF Art 745-A MK4 Active 2-Way Speaker has a 90° x 60° coverage pattern, allowing it to cover a broad area. The RCF HDL 10-A Active Line Array Module, on the other hand, has a 100° x 15° coverage pattern, meaning it has a wide horizontal angle but a very narrow vertical angle. Multiple line array cabinets/modules are then stacked together to tailor the vertical angle to the space.

How line array speakers work

The benefit of using a line array in a space is the ability to adjust the individual cabinets within the stack to target sound at specific areas of the sanctuary. Line array stacks can be precisely angled and calibrated to provide balanced sound both at the front and the rear of the audience. 

Your designer or installation company achieves this by precisely angling the various cabinets in the array to direct sound where people will be sitting while minimizing sound pointing at reflective surfaces such as walls, ceilings, floors or other surfaces that create echo in the space.

For example, in some spaces, line array stacks (or clusters) are hung in a J-shaped pattern to better target the sound. The bottom curve of the &#;J&#; points sound at people near the stage, while the top, straight portion of the stack points sound at those at the rear of the space. This ensures a consistent sound experience for everyone in the sanctuary.

The sound engineers then adjust the amplitude of the individual line array speakers so the speakers pointing toward the rear of the audience are set to a higher output, while the speakers directed at the front are turned down lower, because the sound doesn&#;t have to travel as far. The goal of this is to ensure as consistent a sound pressure level (SPL) across the entire audience to minimize the presence of &#;loud&#; or &#;quiet&#; seating areas.

What to consider when purchasing a line array system

When beginning the search for any house of worship sound system, the first step should be reaching out to a sound installation company or a sound designing professional. They can take the guesswork out of purchasing a line array system and guide you through the process, It starts by using industry-standard modeling software to determine if a line array is a good fit for your space. Once confirmed, there are still a lot of things to consider when making a recommendation for the best speaker options for your application.

First, consider the size and weight of the speakers. Line array stacks are, by definition, larger than point source speakers, and it&#;s important to consider the proposed hanging points to ensure they can handle the full weight of all the modules in the stack.

Secondly, look at sightlines. Taller line array stacks can hang fairly low, and it&#;s important to consider the mounting location and ceiling height compared to where the audience sits within the space. This is particularly true for audience members seated on the sides near the front. Also, you will want to ensure the line array doesn&#;t block the throw of any projectors within the space, particularly if you have projector screens on the sides of the stage, rather than a center-mounted projector. And because the speakers will be visible within the space, you&#;ll need to determine early whether you want your speakers to be white or black.

Another consideration for line arrays is power and signal processing. Some line arrays are &#;active,&#; meaning they have a built-in amplifier that&#;s power-matched to the speaker, as well as a built-in digital signal processor (DSP) that adjusts the sound to prevent damage to the drivers. Loudspeaker drivers are only capable of generating certain frequencies and need to have a DSP separate from the console that is adjusted to the frequency capabilities of the speaker. Having proper speaker tunings (as they&#;re called) and a power-matched amplifier is vital to the longevity of your speaker, and active speakers have both built-in.

There are also a number of  &#;passive&#; line array systems that require a separate amplifier and DSP. These are still fine speaker options, but you&#;ll need to have available space for racks to mount the amplifiers (as well as the DSPs, if the amplifiers don&#;t have DSPs built in), and the rack space should be easy to access for maintenance purposes.

Want more information on line array pa system? Feel free to contact us.

Another consideration when selecting line array speakers for churches is the complement of drivers in the cabinet. This is one of the most distinctive differences between line array options, and it&#;s important to consider the performance and cost trade-offs of the different setups. As we mentioned previously, speaker drivers are designed to only generate certain frequencies, and speakers include multiple drivers of different sizes to generate the full range of sound. Speakers will typically have both low-frequency (LF) and high-frequency (HF) drivers, with some speakers also including mid-frequency (MF) drivers as well.

While the arrangements of drivers vary, there are a few common types that you&#;ll run across. The most basic driver setup you&#;ll encounter is a two-way speaker with a single LF driver. When I say a speaker is&#;two-way&#;, I mean they have two speaker types, an LF driver and an HF driver. Line array speakers that have this speaker setup, like the QSC KLA12, are ultracompact and affordable, but the single low-frequency driver offers some trade-off in performance, particularly low-end performance, versus other speaker arrangements.

Pictured: QSC KLA12 Active Line Array Speaker

A step up from this setup is a two-way speaker with two LF drivers. Line array speakers with this setup, such as the RCF HDL 10A we have been discussing, include two LF drivers on either side of the cabinet, and an HF driver in the middle. This can provide better coverage and performance than a single-driver setup, depending on the size of the drivers (more on that in a moment). For even more improved performance, some line arrays are available with three-way cabinets that add MF drivers to the mix. These speakers typically include two LF drivers, as well as one or more MF and HF drivers. By having dedicated drivers to create these middle frequencies, these speakers provide smoother, more consistent sound than two-way line array modules, but are often more expensive.

A related consideration to the arrangement of drivers is the size of the driver. The RCF HDL 10A has two LF drivers compared to the QSC KLA12&#;s single LF driver, but they&#;re similarly priced because the QSC KLA12 includes a 12&#; driver compared to the two 8&#; LF drivers on the RCF HDL 10A. A larger driver is going to provide better low-end performance, because it&#;s physically capable of generating better low-end frequencies. This is why it&#;s a good idea to hear different speakers in action to determine the best choice for you.

If you would like to hear different line array systems as well as portable systems, please attend our LSI/ProSound Web Loud Speaker Demo at CFX in October in Chattanooga, TN. Remember to follow us on our Facebook page for CFX updates and bonus content, Talk to you next month!

The Best Line Array on the Market for

In the ever-evolving world of professional audio, the line array remains the centerpiece of live sound reinforcement. With the rapid advancements in technology, brings a new wave of innovation, pushing the boundaries of performance, versatility, and ease of use. Whether you&#;re a touring sound engineer, a live event producer, or a venue owner, choosing the best line array system is crucial to delivering an unforgettable audio experience. In this guide, we&#;ll explore the top contenders for the best line array systems available in .

1. L-Acoustics K2

L-Acoustics has long been synonymous with high-quality audio, and the K2 line array system is no exception. Known for its exceptional clarity, wide horizontal coverage, and precise directivity control, the K2 is a favorite among touring professionals. The system&#;s lightweight design doesn&#;t compromise its power, making it ideal for medium to large-scale venues. With L-Acoustics&#; advanced processing technology, the K2 delivers an unmatched listening experience, ensuring even coverage and consistent sound quality across the entire audience area.

Key Features:

  • Frequency Response: 35 Hz &#; 20 kHz
  • Maximum SPL: 147 dB
  • Horizontal Coverage: 110°
  • Weight: 56 kg per speaker

2. d&b audiotechnik GSL

The d&b audiotechnik GSL system is a top choice for large-scale events, offering incredible power and control. The GSL is designed for the most demanding applications, delivering full-range sound with unparalleled low-frequency extension. Its cardioid subwoofers and advanced waveguide technology ensure that unwanted low-end energy is minimized behind the system, providing cleaner, more focused sound for the audience. The GSL&#;s flexibility and scalability make it suitable for stadiums, arenas, and festivals.

Key Features:

  • Frequency Response: 30 Hz &#; 18 kHz
  • Maximum SPL: 150 dB
  • Horizontal Coverage: 80° or 120°
  • Weight: 82 kg per speaker

3. Meyer Sound LEO

Meyer Sound&#;s LEO system continues to impress with its linear performance and precise sound reproduction. The LEO line array is designed for long-throw applications, making it perfect for large venues where clarity and intelligibility are crucial. With Meyer Sound&#;s proprietary digital processing and self-powered design, the LEO system delivers consistent, high-quality sound without the need for external amplifiers. Its rugged construction and reliability make it a go-to for tours and permanent installations alike.

Key Features:

  • Frequency Response: 40 Hz &#; 18 kHz
  • Maximum SPL: 145 dB
  • Horizontal Coverage: 90°
  • Weight: 83 kg per speaker

4. JBL VTX A12

JBL&#;s VTX A12 is one of the most versatile line arrays on the market, offering a combination of power, clarity, and ease of deployment. The A12 features JBL&#;s latest transducer technology, providing exceptional high-frequency detail and deep, punchy bass. The system&#;s innovative rigging system allows for quick setup and precise angling, making it ideal for fast-paced tours and events. With its comprehensive software suite, the VTX A12 can be easily configured and monitored, ensuring optimal performance in any environment.

Key Features:

  • Frequency Response: 46 Hz &#; 19 kHz
  • Maximum SPL: 143 dB
  • Horizontal Coverage: 90°
  • Weight: 55 kg per speaker

5. Adamson S10

The Adamson S10 line array system is a compact yet powerful option, offering exceptional performance in a smaller footprint. The S10 is designed for versatility, excelling in both live sound and fixed installation applications. With its Kevlar cone drivers and advanced wave shaping technology, the S10 delivers clear, full-range sound with impressive low-end extension. Its compact size and lightweight design make it an excellent choice for venues where space and weight are concerns.

Key Features:

  • Frequency Response: 60 Hz &#; 18 kHz
  • Maximum SPL: 141 dB
  • Horizontal Coverage: 110°
  • Weight: 29 kg per speaker

Conclusion

Selecting the best line array system depends on your specific needs, including the size of the venue, the type of events, and your budget. The systems highlighted here represent the pinnacle of audio engineering in , each offering unique strengths that cater to different applications. Whether you prioritize power, clarity, versatility, or ease of use, there&#;s a line array system on this list that will meet your requirements and help you deliver an unforgettable audio experience.

For large-scale events and stadiums, the d&b audiotechnik GSL and Meyer Sound LEO systems offer unparalleled power and control. The L-Acoustics K2 and JBL VTX A12 provide excellent options for mid-to-large venues with a focus on flexibility and precision. Meanwhile, the Adamson S10 is perfect for those looking for a compact, yet powerful solution.

As technology continues to advance, the competition among manufacturers is driving innovation, ensuring that audio professionals have access to the very best tools for their craft. Whichever system you choose, you can be confident that &#;s top line arrays will deliver outstanding performance, making every event a sonic success.

For more one direction microphonesinformation, please contact us. We will provide professional answers.

Comments

0/2000

Get in Touch